and moving closer...
and closer...
until the two-dimensional landscape has turned into 3-dimensional, abstract brush-strokes of color. Then I back up again and watch the abstract strokes turn back into a landscape.
I repeat this exercise multiple times, and each time am filled anew with wonder that a painting can have two such distinct identities: one as a vision of a San Francisco landscape, and another as colorful paint in abstract shapes on a canvas.
The photos in this post are my photos of Wayne Thiebaud's San Francisco, West-Side Ridge, (undated, but around 1990), from the Smithsonian American Art Museum, Washington DC
I really like this Thiebaud. It makes me want to paint.
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